Le comte Ory (Critical Report, paperback)

Rossini, Gioachino

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Rossini Le comte Ory (Critical Report, Paperback)

Up to 1829 Rossini was an extraordinarily prolific composer of operas, comic, serious, and semi-serious, in Italian and French, as well as of a great deal of vocal and instrumental music.

He composed sacred music, vocal treatises, cantatas.  Then, for many different reasons, he wrote very little music for more than twenty five years, except for some songs and the ‘Stabat Mater’.  Only after he left Italy definitively for Paris in 1855 did he find his voice again.

Between 1857 and 1868 a fresh group of masterpieces issued from his pen, the so-called ‘Péchés de vieillesse’(Sins of Old Age), including chamber music, songs, and the ‘Petite Messe Solennelle’.

Philip Gossett, General Editor of Works of Gioachino Rossini, is the Robert W. Reneker Distinguished Service Professor at The University of Chicago and a professor “di chiara fama” at the University of Rome “La Sapienza”.  He is also general editor of The Works of Giuseppe Verdi.

Bärenreiter in cooperation with the Center for Italian Opera Studies at The University of Chicago will publish ten volumes in the series Works of Gioachino Rossini, in critical editions. These are all volumes that were not issued in the “Edizione critica delle opere di Gioachino Rossini”.

- Gioachino Rossini-Works Volumes 5a+b

- Performance material available for hire BA10508-72

- Full score (BA10508-01), vocal score (BA10508-90) and critical report (BA10508-40) available for sale

Colas, Damien
BA10508-40
9790006552177
Baerenreiter Germany

Contents

  1. Abbreviations
  2. Principal Sources
  3. Sources
  4. Critical Notes
  5. [Introduction / Ouverture]
  6. Acte Premier
  7. N. 1 Suite de l'Introduction
  8. Récit [Après l'Introduction]
  9. N. 2 [Air du gouverneur]
  10. Récit [Après l'Air du gouverneur]
  11. N. 3 Duo [Isolier - Ory]
  12. Marche [et] Récit [Après le Duo]
  13. N. 4 [Air de la comtesse]
  14. Récit [Après l'Air de la comtesse]
  15. N. 5 Final [I]
  16. Acte Deuxième
  17. N. 6 [Introduction]
  18. Récit [Après l'Introduction]
  19. N. 7 Duo [la comtesse - Ory]
  20. Récit [Après le Duo]
  21. N. 8 [Chœur des chevaliers]
  22. [Récit Après le Chœur des chevaliers]
  23. N. 9 [Air de Raimbaud]
  24. [Récit Après de Raimbaud]
  25. N. 10 [Chœur des chevaliers]
  26. [Récit Après le Chœur des chevaliers]
  27. N. 11 Trio
  28. N. 12 [Final II]
  29. Appendix I: "Le comte Orry, et les Nonnes de Famoutier, Ancienne romance picarde"
  30. Appendix II: Sketches (for Nn. 1 and 11)
  31. Appendix III: Stage Effects for Act II: [Introduction] (N. 6)
  32. Appendix IV: Alternate versions from TR: a. Reduced version for fewer voices of Final [I] (N. 5)
  33. b. Shortened version of the Duo (N. 7)
  34. Appendix V: Alternate Arias for the countess (N. 4) perfomed in Paris: a. Air [de la comtesse] (N. 4a), from "Elisabetta, regina d'Inghilterra"
  35. b. Air [de la comtesse] (N. 4b), from "Matilde di Shabran"
  36. Appendix VI: Preliminary drafts of the libretto by Eugène Scribe

Additional Information

Romantic
Mixed Voices
English