The Techniques of E-Guitar Playing (Paperback)

Josel, Seth F , Lou, Michelle

£60.00
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Josel & Lou The Techniques of E-Guitar Playing (Papereback)

Seth F. Josel, a pioneering guitarist, and electroacoustic composer Michelle Lou have put together this long overdue book – not least inspired by a new generation of soloists who, through their extraordinary skills, have paved the way to a new understanding of instrumental performance practice.

This book presents detailed explanations of what is technically possible on the instrument as well as the accompanying electronic components.  Composers will especially benefit from the research and elaborate analyses of contemporary e-guitar literature that include many examples of the instrument in chamber and ensemble musical settings.  Also shown are diverse ways in which contemporary music for the e-guitar has been notated.

The book explores various right and left hand techniques, harmonics, use of foreign objects, signal processing, amplification and the e-guitar’s relatives.  Of particular interest are extensive charts of multiphonics, and effects. Online sound files document a variety of the techniques illustrated in the book.


About the authors:

As an ensemble player and soloist, Seth F. Josel has been involved in the first performances of more than 100 works and has been a guest performer with leading orchestras.  He has collaborated and consulted closely with such composers as Mauricio Kagel, Helmut Lachenmann, Tristan Murail and James Tenney.  From 1991 till 2000 he was a permanent member of the Ensemble musikFabrik.  His first book for Bärenreiter, co-authored by Ming Tsao, “The Techniques of Guitar Playing” (BVK02243), was published in 2014.

Composer and performer, Michelle Lou, received degrees in double bass performance and composition from University of California San Diego and Stanford University.  Her work has been presented at festivals such as MaerzMusik, Donaueschinger Musiktage, Wien Modern, Rainy Days, Ultima, Darmstadt, Klangwerkstatt, Timepans, and MATA.  She teaches composition and electronic music at the University of California San Diego.

With contributions by Richard Barrett, Daniel Brew, Daryl Buckley, Juan Parra Cancino, Nicolas Collins, Thomas Ciszak, Yaron Deutsch, Nicholas Deyoe, Wieland Hoban, Douglas Osmun, Aart Strootman, Ming Tsao, Samuel Vriezen.  Interviews with Yaron Deutsch, Nicholas Deyoe, and Dan Lippel.

- Format 29,0 x 21,0 cm

BVK2424
9783761824245
Baerenreiter Germany

Contents

  1. Brief History – Let’s Get Loud
  2. The Electric Guitar in New / Art Music
  3. Kapitel: The Instrument and its Amplification
  4. Tone and Identity
  5. Electronics
  6. Amplification
  7. Kapitel: Signal Processing
  8. Gain Effects
  9. Filter/Frequency Effects
  10. Time-based Effects
  11. Other Modulation Effects
  12. Utility Pedals
  13. Effects Ordering Principles
  14. Other Effects
  15. Composer / Author Osmun, Douglas: Software Approaches: DSP
  16. Changing Sounds while Playing
  17. It Worked Yesterday: Obsolete Hardware?
  18. Composer / Author Brew, Daniel: Interpreting Mauricio Pauly’s “Sky Destroys Dog”
  19. Postlude: Making Reference
  20. Kapitel: Tuning
  21. Re-stringing
  22. Composer / Author Deyoe, Nicholas: Scordatura and Common Bridge Types
  23. Sonic Youth’s Alternate Tunings
  24. Kapitel: The Left Hand
  25. LH Muting
  26. Vibrato Revisited
  27. String Bending
  28. Special Bending Techniques
  29. Bend and Tap
  30. Behind-the-Nut String Bends
  31. “Koto Effect”
  32. The “PUP” as Fingerboard
  33. “Tamburo” Extended
  34. Kapitel: The Right Hand
  35. The Fingers
  36. Right-Hand Tapping
  37. Right-Hand Tremolo
  38. Plectra
  39. Notation Basics
  40. Plucking
  41. Palm Muting
  42. Tambour and Other Percussive Actions
  43. The Electric Guitar in New Music
  44. Kapitel: Glissandi
  45. Glissandi with Vibrato Arm
  46. Slide / Double-Slide
  47. Composer / Author Ciszak, Thomas / Josel, Seth F.: Kapitel: Harmonics
  48. Microtonal Nomenclature
  49. Harmonic Series per String
  50. Multiphonics
  51. Multiphonic Aggregates on Strings 6–1
  52. Multiphonic Double Stops
  53. Artificial Harmonics
  54. Example Repertoire for Solo E-Guitar
  55. Orchestrating with E-Guitar Harmonics
  56. Kapitel: Feedback
  57. Du Yun’s “In Our Daughter’s Eyes”
  58. On Drones and Sustained Tones: The Ebow
  59. A Magnetic Circuit and an Analogue System
  60. Kapitel: Foreign Objects
  61. Objects Explored
  62. Electric and Battery-Operated Objects
  63. Preparations
  64. Kapitel: Lying: Some Notes on Unconventional Usage
  65. Supine Guitar: Rowe, Frith, and Takayanagi
  66. Examples of Supine Guitar in Contemporary Music
  67. Composer / Author Vriezen, Samuel: Closed Circuits: Remko Scha’s “The Machines”
  68. Kapitel: “All in the Family” – The E-Guitar’s Relatives
  69. Composer / Author Buckley, Daryl: The Lap Steel Guitar
  70. Composer / Author Hoban, Wieland: 7- and 8-string Guitars
  71. Baritone Guitar
  72. Synthesizer / MIDI Guitar
  73. Hex-Pickup and Variax Guitar
  74. Composer / Author Førisdal, Anders: Quarter-Tone Electric Guitar
  75. Composer / Author Hoban, Wieland: Fretless Guitar
  76. Composer / Author Strootman, Aart: DIY Modification
  77. Composer / Author Collins, Nicolas: The Backwards Electric Guitar
  78. Composer / Author Tsao, Ming: The Electric Bass Guitar
  79. Kapitel: Orchestrating with the Electric Guitar
  80. Composer / Author Barrett, Richard: A Composer’s Reflection
  81. Composer / Author Tsao, Ming: The Electric Guitar in My Life: on Helmut Lachenmann
  82. Kapitel: Appendices
  83. Sonic Youth’s Alternate Tunings
  84. Multiphonic III+47 Across Different Instruments
  85. Multiphonic VI +17 with Effect Pedals
  86. Audio Samples
  87. Bibliography
  88. Abbreviations and Numberings
  89. Index

Additional Information

21st Century
English