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The Techniques of E-Guitar Playing (Paperback)
Josel, Seth F , Lou, Michelle
Josel & Lou The Techniques of E-Guitar Playing (Papereback)
Seth F. Josel, a pioneering guitarist, and electroacoustic composer Michelle Lou have put together this long overdue book – not least inspired by a new generation of soloists who, through their extraordinary skills, have paved the way to a new understanding of instrumental performance practice.
This book presents detailed explanations of what is technically possible on the instrument as well as the accompanying electronic components. Composers will especially benefit from the research and elaborate analyses of contemporary e-guitar literature that include many examples of the instrument in chamber and ensemble musical settings. Also shown are diverse ways in which contemporary music for the e-guitar has been notated.
The book explores various right and left hand techniques, harmonics, use of foreign objects, signal processing, amplification and the e-guitar’s relatives. Of particular interest are extensive charts of multiphonics, and effects. Online sound files document a variety of the techniques illustrated in the book.
About the authors:
As an ensemble player and soloist, Seth F. Josel has been involved in the first performances of more than 100 works and has been a guest performer with leading orchestras. He has collaborated and consulted closely with such composers as Mauricio Kagel, Helmut Lachenmann, Tristan Murail and James Tenney. From 1991 till 2000 he was a permanent member of the Ensemble musikFabrik. His first book for Bärenreiter, co-authored by Ming Tsao, “The Techniques of Guitar Playing” (BVK02243), was published in 2014.
Composer and performer, Michelle Lou, received degrees in double bass performance and composition from University of California San Diego and Stanford University. Her work has been presented at festivals such as MaerzMusik, Donaueschinger Musiktage, Wien Modern, Rainy Days, Ultima, Darmstadt, Klangwerkstatt, Timepans, and MATA. She teaches composition and electronic music at the University of California San Diego.
With contributions by Richard Barrett, Daniel Brew, Daryl Buckley, Juan Parra Cancino, Nicolas Collins, Thomas Ciszak, Yaron Deutsch, Nicholas Deyoe, Wieland Hoban, Douglas Osmun, Aart Strootman, Ming Tsao, Samuel Vriezen. Interviews with Yaron Deutsch, Nicholas Deyoe, and Dan Lippel.
- Format 29,0 x 21,0 cm
Contents
- Brief History – Let’s Get Loud
- The Electric Guitar in New / Art Music
- Kapitel: The Instrument and its Amplification
- Tone and Identity
- Electronics
- Amplification
- Kapitel: Signal Processing
- Gain Effects
- Filter/Frequency Effects
- Time-based Effects
- Other Modulation Effects
- Utility Pedals
- Effects Ordering Principles
- Other Effects
- Composer / Author Osmun, Douglas: Software Approaches: DSP
- Changing Sounds while Playing
- It Worked Yesterday: Obsolete Hardware?
- Composer / Author Brew, Daniel: Interpreting Mauricio Pauly’s “Sky Destroys Dog”
- Postlude: Making Reference
- Kapitel: Tuning
- Re-stringing
- Composer / Author Deyoe, Nicholas: Scordatura and Common Bridge Types
- Sonic Youth’s Alternate Tunings
- Kapitel: The Left Hand
- LH Muting
- Vibrato Revisited
- String Bending
- Special Bending Techniques
- Bend and Tap
- Behind-the-Nut String Bends
- “Koto Effect”
- The “PUP” as Fingerboard
- “Tamburo” Extended
- Kapitel: The Right Hand
- The Fingers
- Right-Hand Tapping
- Right-Hand Tremolo
- Plectra
- Notation Basics
- Plucking
- Palm Muting
- Tambour and Other Percussive Actions
- The Electric Guitar in New Music
- Kapitel: Glissandi
- Glissandi with Vibrato Arm
- Slide / Double-Slide
- Composer / Author Ciszak, Thomas / Josel, Seth F.: Kapitel: Harmonics
- Microtonal Nomenclature
- Harmonic Series per String
- Multiphonics
- Multiphonic Aggregates on Strings 6–1
- Multiphonic Double Stops
- Artificial Harmonics
- Example Repertoire for Solo E-Guitar
- Orchestrating with E-Guitar Harmonics
- Kapitel: Feedback
- Du Yun’s “In Our Daughter’s Eyes”
- On Drones and Sustained Tones: The Ebow
- A Magnetic Circuit and an Analogue System
- Kapitel: Foreign Objects
- Objects Explored
- Electric and Battery-Operated Objects
- Preparations
- Kapitel: Lying: Some Notes on Unconventional Usage
- Supine Guitar: Rowe, Frith, and Takayanagi
- Examples of Supine Guitar in Contemporary Music
- Composer / Author Vriezen, Samuel: Closed Circuits: Remko Scha’s “The Machines”
- Kapitel: “All in the Family” – The E-Guitar’s Relatives
- Composer / Author Buckley, Daryl: The Lap Steel Guitar
- Composer / Author Hoban, Wieland: 7- and 8-string Guitars
- Baritone Guitar
- Synthesizer / MIDI Guitar
- Hex-Pickup and Variax Guitar
- Composer / Author Førisdal, Anders: Quarter-Tone Electric Guitar
- Composer / Author Hoban, Wieland: Fretless Guitar
- Composer / Author Strootman, Aart: DIY Modification
- Composer / Author Collins, Nicolas: The Backwards Electric Guitar
- Composer / Author Tsao, Ming: The Electric Bass Guitar
- Kapitel: Orchestrating with the Electric Guitar
- Composer / Author Barrett, Richard: A Composer’s Reflection
- Composer / Author Tsao, Ming: The Electric Guitar in My Life: on Helmut Lachenmann
- Kapitel: Appendices
- Sonic Youth’s Alternate Tunings
- Multiphonic III+47 Across Different Instruments
- Multiphonic VI +17 with Effect Pedals
- Audio Samples
- Bibliography
- Abbreviations and Numberings
- Index