The Techniques of Guitar Playing (Paperback)

Josel, Seth F , Tsao, Ming

£57.50
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Seth Josel and Ming Tsao The Techniques of Guitar Playing: Contemporary performance techniques for the guitar
Paperback book with CD

This book, co-written by guitarist Seth F. Josel and composer Ming Tsao, provides a comprehensive survey of contemporary performance techniques on the classical guitar.  It was inspired by a new generation of solo guitarists whose extraordinary technical and virtuosic skills have paved the way for a new understanding of instrumental performance practice.

Detailed explanations are given for the instrument’s technical potential within the historical context of traditional guitar technique.  Composers will be interested in the in-depth analyses of contemporary guitar literature, featuring many examples of chamber and ensemble music.

Four main chapters describe:
- Techniques of the right and left hands
- Special harmonies and percussive techniques
- The main instruments of the guitar family and their potential
- Possible ways of notating contemporary guitar literature

The examples discussed in the book are complemented by an enclosed CD and detailed charts on multiphonics, bitones, and percussion techniques.

Seth F. Josel
 is among the leading figures of his generation in modern guitar performance and has taken part in the premieres of more than 100 works as a soloist and ensemble member. A regular guest at Europe’s major contemporary music festivals, he has worked with composers of the stature of Mauricio Kagel, Helmut Lachenmann, Tristan Murail and James Tenney and has played with such leading orchestras and ensembles as the New York Philharmonic, the BBC Symphony Orchestra and the Berlin Staatskapelle. From 1991 to 2000 he was a permanent member of the Ensemble musikFabrik. Today he lives in Berlin.

Ming Tsao
 (b. Berkeley, CA, 1966) is professor of composition at Gothenburg University. His compositions have been performed amongst others by the Arditti Quartet, ensemble recherche and the Stuttgart Opera (premiere of “Die Geisterinsel” in 2011). He is regularly involved in the Donaueschingen Festival, the Witten Days of New Chamber Music, the Darmstadt Contemporary Music Holiday Courses and Wien Modern. His works are published by C.F. Peters (Frankfurt am Main and Leipzig). He, too, lives in Berlin.

BVK2243
9783761822432
Baerenreiter Germany

Contents

  1. Guitar Basics
  2. Essential components of the guitar
  3. How a guitar tone is produced
  4. Traditional and nontraditional tunings
  5. Abbreviations and symbols for fingers and fingering positions
  6. Notation basics
  7. Fretboard chart
  8. LH techniques
  9. RH techniques
  10. Orchestrating for the guitar: key historical works
  11. 2 Guitar Harmonics
  12. What are harmonics?
  13. Harmonics on the open strings of a guitar
  14. Examples from the literature
  15. Notation of harmonics
  16. Half harmonics
  17. Notation of natural harmonics and half harmonics
  18. Multiphonics
  19. Artificial harmonics
  20. "Attackless" harmonics
  21. Guitar harmonics in context
  22. 3 Guitar as Percussion
  23. Historical precedence
  24. RH tapping
  25. Bi-tones
  26. Battuto
  27. Guitar as percussion instrument
  28. Tambour
  29. Golpé
  30. Percussive map
  31. Tamburo
  32. Brushing/Rubbing/Scraping
  33. String buzz
  34. Notational conventions
  35. Foreign objects
  36. Prepared guitar
  37. Guitar as percussion in context
  38. 4 "All in the Family". The Acoustic Guitar's Relatives
  39. Nineteenth century instruments
  40. Deviation from the six strings: the seven-string guitar and the ten-string guitar/décacord
  41. Double-neck guitars
  42. Ukulele
  43. Acoustic steel-string "flat-top" guitar
  44. 5 Appendices
  45. Technical notes
  46. Diverse preparations and descriptions from Yates and Elgart
  47. CD Track List
  48. Bibliography
  49. Index
  50. About the authors

Additional Information

Guitar
English