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Theatre Music, English Songs (Full Score, hardback)
Handel, George Frideric
Handel Theatre Music, English Songs (Full Score, hardback)
From the sixteenth century onwards, music played an important role in theatrical performances throughout the British Isles. Many of G.F. Handel’s most popular works found their way into English dramas and ballad operas, often adapted and parodied. Handel himself, however, only occasionally composed for the theatrical stage.
This volume contains Handel’s secular vocal works in English, which may be described, in the broadest sense, as “theatre music” or incidental music. It includes four numbers (“There in blissful shades and bow’rs” HWV 44) for John Milton’s “Masque”, later known as “Comus”; the incidental music for Tobias Smollett’s drama “Alceste” HWV 45, which was to be performed at the Covent Garden Theatre in London in 1750, and fifteen English songs, which were often first performed on the stages of London’s theatres and pleasure gardens before becoming widely known through printed song sheets.
The music for “Alceste”, which survives independently of Smollett’s play, is accompanied by research into possible literary and dramatic models for the tragedy. In the case of the English songs, the main task was to distinguish the authentic compositions from the numerous arrangements and contrafacts of popular arias and dances from Handel’s works. For the first time, as part of the “Halle Handel Edition”, criteria for the authenticity of Handel’s English songs have been established. These include the autograph manuscripts which have come down to us, documented contacts with the lyricists and performers associated with the songs, the attribution of songs during the composer's lifetime, and the borrowing of musical material from or into other works by Handel. The volume thus offers insights into a hitherto little-known but fascinating genre within Handel’s oeuvre, reflecting the distinctive aesthetic of the English theatre of his time.
- Halle Handel Edition Series II/Supplement 4
- Format 26,5 x 33,0 cm
Contents
- Music for the masque Comus - There in blissful shades and bow’rs HWV 44 [Händel, Georg Friedrich]
- Music for the play Alceste HWV 45 [Händel, Georg Friedrich]
- English Songs: Love’s but the frailty, HWV 218 [Händel, Georg Friedrich]
- Hunting Song (The morning is charming), HWV 226 [Händel, Georg Friedrich]
- The Unhappy Lovers (As Celia’s fatal arrows flew), HWV 228.1 [Händel, Georg Friedrich]
- The Poor Shepherd (The sun was sunk), HWV 228.2 [Händel, Georg Friedrich]
- From scourging rebellion, HWV 228.9 [Händel, Georg Friedrich]
- I like the am’rous youth, HWV 228.11 [Händel, Georg Friedrich]
- Not, Chloe, that I better am, HWV 228.13 [Händel, Georg Friedrich]
- Molly Mogg or The Fair Maid of the Inn (Says my uncle, I pray), HWV 228.15 [Händel, Georg Friedrich]
- Stand round, my brave boys, HWV 228.18 [Händel, Georg Friedrich]
- The Melancholy Nymph (’Twas when the seas), HWV 228.19 [Händel, Georg Friedrich]
- Colin’s Complaint (By the side of a murmuring stream), HWV 228.23 [Händel, Georg Friedrich]
- Anhang, Händel songs attributed to him: The Forsaken Nymph (Guardian angels, now protect me), HWV 228.10 [Händel, Georg Friedrich]
- Strephon’s Complaint of Love (Oh! cruel tyrant Love), HWV 228.14 [Händel, Georg Friedrich]
- The Death of the Stag (When Phoebus the tops of the hills), HWV 228.21 [Händel, Georg Friedrich]
- The Je ne sais quoi (Yes, I’m in love), HWV 228.24 [Händel, Georg Friedrich]